Book Review: Knights and Castles

Book Review: Knights and Castles

(article submitted for publication in December 2017 to The Phoenix,  Barony of the Sacred Stone)

Knights and Castles. Rupert Matthews. DK Books, a Division of Penguin-Random House: New York. June 2016.

Part of the DK reading series, Knights and Castles is aimed at “L3 – Reading Alone,” about the second to third grade reading levels. Each of the five chapters contains a different subject related to the Medieval times (950 to 1500 ad). Chapter 1 covers the initial wooden forts, including a nice schematic on how to build a Motte-and-Bailey castle. Combined with chapter 2, a reader gets a good idea about the evolution of castles from earthen works through towers to multi-level stone fortifications. Chapter 3 talks about several knights: Sir James Douglas, Sir John Hawkwood, El Sid, and Sir William Marshal. Chapter 5 discusses some of the most famous sieges.

Chapter 4, my favorite, is on monk-knights like the famous Templars and the lesser known orders like Calatrava. I’ve attended some short lectures on the monastic warriors and this book answered some lingering questions.

An informative book, Knights and Castles, is perfect for SCA children, though parents may want to keep it on their own shelves.

Applications: Siege weapons, history, architecture, personas
Cost: $4 cover price, available at Books-a-Million and other locations.

Class: Largess: The Gift That Keeps Needing Gifting

Largess: The Gift that Keeps Needing Gifting

(Taught October 5, 2017) for the Aire Faucon Newcomer A&S Night)

What is Largess?
Largess is the trappings of the “stage” side of the SCA, the sets and props carried into court or used to produce an event. In SCA vocabulary, largess usually refers to gifts given by Royalty and Baronage, but can include gifts given to them as well.

Merriam-Webster’s definition is (13th century) (1) liberal giving (as of money) to or as if to an inferior; (2) Generosity.

Our royalty and baronage, as part of the dream/play, are expected to give gifts generously to those they visit – other royalty, other baronage, medallions and scrolls in court to their populous. In addition they are to look totally spiff. All while holding down real-world jobs, traveling from one end of the kingdom to the other (and outside the kingdom), paying for their normal living, and taking care of the behind-the-scenes management like recommendations or personality friction resolutions. Unless they have a private stream of income like real royalty do, they afford this “production” by the generosity of their friends and those they have no clue.

Types of Largess: Gifts and Spiffs
Royalty Court Largess – The cups given to newcomers, the gifts given in the children boxes, medallions (also candles for flames, feathers, ect.), scrolls, scroll carriers, rings from their hands.

Royalty Gifting Largess – Brews and cookies to get allies at wars like Gulf Wars, Pennsic, and War of the Wings; baskets to give to other baronages and royalties at events useful (like gas-cards) and pretties (like napkins) or both (like paper umbrellas).

Populous Gifts to Royalty for Largess – All that Royalty Court Largess and Royalty Gifting Largess comes from somewhere. Everything they gave out came from someone else’s hands, so see the lists above.

Populous Gifts to Royalty for Spiffness – Garb (including shoes, head coverings, and jewelry), coronets, thrones, tables, pillows, rugs, knifes/swords, mantles/cloaks.

Populous Gifts for Peerage Spiffness – Each time a peer is made certain symbols of rank are given or used in the ceremony. A special vigil and ceremonial outfit, a processional banner, a tent/vigil area with food, a vigil book. Knights: chain, spurs, belt (in some kingdoms a sword); Laurel: medallion, mantle, laurel wreath; Pelican: medallion, mantle, cap of maintenance. (Court Baroncy: Coronet.) – In all cases, an amazing scroll or scroll-like product.

Event and Demo Materials (for Spiffness) – Site and feast tokens, gold key, banners, flags, tablecloths, cooler covers, or anything PERMANENT and/or REUSABLE which makes the site and activities more medieval feeling (dance, food cooked, classes taught don’t count as largess).

Largess Night in the Canton
The Canton of Aire Faucon has had a monthly Largess night since June 2015 as part of their A&S cycle. The purpose is two-fold: (1) make largess both spiff and gifts; and (2) have a small hands-on class allowing people to learn new A&S skills without a big commitment.

Things we have made:
2015 – Fibula pins; Jeweled bookmarks; Spices mixes to give as Largess; Painted processional banner of Aire Faucon for WOW at the request of the Baronage; Painted wooden boxes; Painted notecards

2016 – Messenger bags; Kumihimo cord; Mug hangers; Site tokens for Wow 2016; Origami; Mustards; Repaired all canton and baronial gold key

2017 – Drawn threadwork towels; Sweet bags; Heraldic banners (and planned for December Scribal carriers)

Largess Ideas for Home or Classes
Doesn’t all this sound like fun? You can make this stuff at home, attend Largess night on the 2nd Thursday of the month, or even volunteer to teach a class. Do you have something which will only take about an hour or two? Perfect for a Largess night. Bonus points if children can participate in it in part (example: Isibel’s twins helped with stuffing the sweet bags this year.)

Court
Scrolls, scroll carriers (see medallions and cording under jewelry)

Clothing
Belts for baronial gold key (the canton has some but the barony doesn’t have any)
And for the ambitious: new outfits for our new baronage.

Jewelry
Necklaces (pendants or beaded), rings (wire or stone), bracelets, earrings, painted beads, glass beads, prayer beads. Fibula pins
Hat/hair/veil pins

Awards: Medallions and Cord
Medallions made from wood & paints, painted ceramic; cast in various metals like pewter, leatherwork, embroidered, carved in amber or stone, glass/enamel work (check with the baronage for particulars of what is needed right now)
Cording to hand medallions including Kumihimo and Lucet (green and white for barony and blue and white for kingdom is especially welcomed). Bonus if clasps are included.

Accessories
Belt pouches made from felt, linen or leftover materials then plain, beaded, trimmed, or embroidered. Belt pouches made from leather.
Coifs made from linen; Snoots made with linen, silk or cotton; Veils (rectangular or oval – silk or linen),
Mug holders (leather is best), neck coolers (my goodness wouldn’t this be an awesome site token at a summer event!)
Woven trim, buttons (cast)

Linens and Things
Napkins, handkerchiefs, tablecloths, runners, doilies, towels, basket liners, rugs, pillows (pincushions, chair cushions, kneeling cushions, etc). These can be painted, stamped, embroidered, woven, sewn, etc.
Cup covers – usually lace or fabric and beaded

Food and kitchen creations – Any food largess should only be given in relations to particular requests (usually timed to major wars) and only through prearrangement as most have a limited shelf-life and specific transportation requirements.
Brews (mead and beer); Cordials; Cookies; Spices and sauces, Perfumes, Soaps, Candles, Beeswax forms for sewing

Scribal Support
Scribal paint brush carrier, Small scribal paint box, Paper for starting scribes, paint brush holders (think chopstick holders), Painted notecards (thank you cards)

Fiber Arts Support
Drop spindles, Wooden lucets, Sewing kits, Needle cases (cloth, leather, wood, bone), Winding sticks, Laying tools

Games
Game boards and pieces (embroidered, carved, wood-burned, painted, etc – example games Chess, Nine-man-Morris, Fox and goose), Cards made in a period fashion, Dice (metal, bone, wood)
Toys for toy box (small, light, can handle jostling, gender-neutral is good, $2 and under) – cup & ball, small dolls, pirate eyepatch, clothespin/peg doll sets, etc.;

Miscellaneous
Cups – glass, clay, plastic, metal; Cork screws, flatwear holders for feastgear
Gas cards, Paper umbrellas, Small mirrors, Hair combs, Wooden boxes all sizes (from holding a ring to a feast gear box), Beaded flowers, Sweet bags, Small notebooks – or notebook covers, Bookmarks, Tissue holders, Messenger bags,

Sites for some of the projects
Cup covers – (link broken and removed)

Feast gear (flatwear holders) – http://the-earth-is-flat.blogspot.com/2014/03/largess-project-1a-flatware-holders.html?m=0

Medallions – https://aethelmearcgazette.com/2016/01/18/making-sca-order-medallions/

Neck coolers – http://www.instructables.com/id/Sew-Very-Useful-Neck-Cooler/

Needle holder (notebook style) – http://mmmcrafts.blogspot.com/2011/02/needle-book.html

Scroll carriers – (link broken and removed)

Toy (small felt seahorses) – https://www.cutoutandkeep.net/projects/felt-seahorses

Toy (Crayon booklet party favor) – https://youandmie.com/2012/09/07/crayon-booklet-party-favors/

Toy (linen balls) – http://www.britishmuseum.org/research/collection_online/collection_object_details/collection_image_gallery.aspx?partid=1&assetid=394405001&objectid=159640

Toy (rag doll) – http://missgioia.com/2007/06/rag-doll-tutorial.html

Scroll: The Prayer Book of Michelino da Besozzo Folio 5

Folio 5 of the 1410 Italian Manuscript: The Prayer Book of Michelino da Besozzo

Baronial Level Scroll, Barony of Sacred Stone in Atlantia
Award: Defenders of The Sacred Stone
Recipient: Jenna Fairhaven
Completed: 23 Sept 2017

Scroll wording, design, calligraphy, penciling, inking, and painting all completed by Lady Prudence the Curious.

Materials Used
Paper – Winsor & Newton Artists’ Water Colour Paper HOT PRESS – 12 x 9 inch, 140 pound

Pen – Manuscript fountain calligraphy pen filled with Dr. Ph. Martin’s Black Star waterproof India Ink. Nib was B2 or B3.

Paint – Winsor & Newton Designers Gouche colors of Olive Green and Winsor Green for the leaves and vines (with highlights in Imitation Gold); Brilliant Violet and Light Purple (lightened a breath with Premium White) for the flowers, initial “J”, and scroll work around the initial and the “We” (with highlights in Premium White). Raised goldwork created with Liquitex Basic Acrylic Gesso tinged with red paint, and then covered in Winsor & Newton Calligraphy Ink – Gold. Some outlining – especially of the initial – done with Micron as well as Artist Loft illustration pens in the 0.1 to 0.5 range.

Pencil lines removed include scribal lines to write on, the outline for the initial, and the freeform of the vinework to figure out where the gold leaves needed to go.

Tools – Paint brushes, mechanical pencils, Westcott white eraser, Ames lettering guide, and T-square ruler. Water cups, eye drops, and small paint pallet were used to mix and store paints.

Challenges: In this case I took on the assignment when I shouldn’t. I have too many commitments, as always, but I so wanted to paint something, anything I took on five assignments with plenty of time – or so I thought. Pennsic troll just killed me. I ended up starting this two days before the event, which is good because the baronage move their court up a day to Friday evening. Otherwise the date on the scroll would have been wrong. I completed it early Saturday morning and brought it to the event to be given out.

I am very pleased with the scroll work around the opening letter and around the initial. This is something I had just started to work on before I packed up all my paints to move.

The flowers surprised me with the little bit of gold in the middle of each flower, and the leaves have a light hatchwork of gold for highlighting. I needed to add a breath of white to the Light Purple; WN Light Purple is very dark, but it was the best match to the other purple for the flower, so adding a little permanent white brought the color out a bit more for the eye to see – but also means the color will be impossible to match in the future.

What I would like to improve – the leaves and the flowers are not quite right for matching the original manuscript. The leaves were more rounded than pointed, except for the gold leaves. Some of the flowers are close in appearance and others are a little off.

I fought the fountain calligraphy pen the entire time. In my hiatus, Micheal’s art supply switched from two fairly good fountain pens (Panche and Os…something) to the much poorer quality product of Manuscript. I’m going to have to figure out how to use a dip pen because this is unacceptable. On the plus side the scrollwork around letters will only get better, as will the whitework and goldwork highlights. Still a whole new skillset to master will take years, worth it, but years.

Click on for full size version

Scroll Wording as meant to be read in court:
We are Marc Baron and Alianor Baroness. Know ye the Sacred Stone Baronial Birthday, on September twenty-second in the year of the Lord two thousand and seventeen and anno societas being fifty-two, we invited

Jenna Fairhaven

into Our Defenders of the Sacred Stone for her exemplary service as Baking Champion.

NOTE: “by our hands” was added as the calligraphy was being worked on because, well I didn’t have enough text on the final line to look balanced.

 

Project: Smocking – Smocked Aprons Prizes

Smocked Aprons – Prizes for Cooking Competitions

The Sacred Stone Cooks Guild uses colored aprons to indicate rank within the guild. I host an annual cooking competition at Flight of the Falcon. The competition is split into two parts, one for the general public and one aimed at the cook’s guild. The winner of the cook’s guild part of the competition gets a colored apron in their rank.

To have enough prizes, this means I need to have four aprons available: Black (apprentice), Red (Journeyman), Green (Prefect) and White (Chef). I started making them in 2016 when I taught the smocking class at Runestone Collegium in November.

I have found brown, cream and white smocked aprons in paintings. Also examples exists of utility aprons, without smocking, in blue (light and medium), pink, red, teal, green, and black (a favorite of painters).

If you are really, really into aprons a great place to find images with the appropriate attribution is: Medieval & Renaissance Material Culture: The Linspages at Larsdatter.com – Apron (http://www.larsdatter.com/aprons.htm).

This is an on-going project as I will need to replace aprons when one has been passed on.

Black Apron (Completed 7/8/2017)

Made from linen cloth, hemmed and embroidered with black linen thread (Londonderry 50/3) after the thread was run through beeswax. The sides of the apron are raw edges, and the belt is 10 feet long. The final measurements 31 inches belt to hem, 57 inches wide along the drawn thread area and 21 inches where smocked. Eight rows of honeycombed are gathered and the hemwork was done with Hound’s Tooth. Started November 2016 and completed at the Cook’s Guild meeting on 7/8/2017.

White Apron (Completed August 2017)

Linen, hemmed and embroidered with linen (Londberry). Eight rows of honeycomb and hemwork is just the Hound’s Tooth. I decided to make the White Apron as close period styling, and therefore just a single row of hewwork) as possible in case someone outside the Sacred Stone guild won the competition. More elabroate cut and pulled work aprons exist but they were not smocked. Smocked aprons pretty much were smocked on top and one line of hemwork. Completed at Pennsic in 2017.

Note: The belt attachment to the smocking is not happy and beautiful. I may be taking it apart and reworking it later this year.


Red Apron (Completed August 2017)

Again linen, line, honeycomb and hemwork. The red is the second level within the guild so I did two rows of drawn work. One the hound’s tooth because I just love the look of the stitch. The other an interlace with two twists. Completed at Pennsic 2017.

Green Apron (Completed 9/14/2017)

So I ran out of time before Flight 2017 and only had about half the green apron finished, but no worries. The Sacred Stone guild only had one Prefect (green level), what are the chances … guess who won? Third level got three rows of drawn work. The first row is Hounds Tooth. The second is a single interlace row – the bars were gathered in groups of 8. The third row from the bottom is three interlace – the bars were gathered in groups of 6. Completed at an A&S meeting after major attacking at DragonCon at the beginning of September so I could give the prize to Mistress Lorelei Greenleafe at the next Sacred Stone event. Done in September, only half a month late.

Now that the green has been won, I will need to make another green apron.

Green Apron 2 (Started 9/14/2017 – Completed 4/20/2020)

As soon as the final stitch was in the green apron for the 2017 prize, I put the dots on the fabric for another green apron so I have a complete set for 2018.

So life happened, and it took a while, but I finally got the second green apron done to replace the one I have given out as a prize. Honeycomb smocking with a hemwork bottom. Five rows of embroidery.

July Cook’s Guild Meeting Activity Report

Activity Report: July Cook’s Guild Meeting (7/8/2017)

(article originally published July 2017, The Phoenix, Barony of Sacred Stone)

The early July day already pushed past swelter as the Cook’s Guild gathered at the Arnarson and de Sevilla manor in Ashboro. Quickly the shade brought by Lady Aine O Grienan was popped up, but only after the fire was started in Elena Colon de Sevilla’s portable fire-ring because we are that dedicated and would need coals to cook over soon.

Tables proliferated for the outdoor prep work and quickly moving knives became the dominate sound. To one side, Lady Prudence the Curious worked on a smocked apron to be used as a prize for the August cooking competition at Flight of the Falcon. She had prepped and cooked everything at home the night before. Each person has their own area of specialty in the guild ranging from herbs and gardening, to period research, to cooking feasts, to cooking over hot coals on a sunny July afternoon. Prudence is more a book-type member of the guild.

The last to arrive, Lady Scribonia Sabina Mus dumped an armload of fresh herbs she had recently cut out of her garden. Promptly she dug out her salmon and scallops for her dish, and the deviled eggs she had prepared in advanced were passed around to take the edge off of the hunger while we worked. Prudence’s chilled asparagus with sesame sauce added some green to the protein. Then Baroness Nuala ingen Magnusa pita bread was ready to be pulled off the fire, rounding out the early food available with a fresh warm bread.

Between snacking and prepwork, much discussion occurred. We discussed the apron and guild rankings while Prudence showed off the apron after the final stitch had been applied. Topics turned to the cooking competition at Flight and the upcoming In a Phoenix Eye, Change of Season competition. Conversation then ranged to why people chose the particular foods they did and what they learned about the country they chose from along the 36 parallel. We lightly touched on using medieval Spanish diaries to prove chocolate usage and Chinese poems to create recipes, in between talks about mundane work, baronial activities, and teaching people of various ages.

Finally Lady Annora Hall’s Tibetan soup, Ema Datshi, finished simmering over the coals and we were ready to move indoors where we could concentrate on the best part of the day. Tasting what had been prepared!

Toki Arnarson’s smoked pork, American style (hey, the USA is on the 36 parallel and we had made no restrictions on date), fell apart into mouth-watering heaven after he pulled it from the oven. The Ema Datshi burned so good, both the front and back of the mouth from the two types of peppers used in its making, and Prudence’s Chinese onion cakes complemented the soup and took some of the burn off. Sabina’s Pakastani-style salmon and scallops were perfectly cooked, and made a nice match to Elena’s chopped spinach dish from Spain.

The meal was a trip around the world – Tibet, Spain, America, Pakastan, India, and China. Eventually the stomachs ran out of space, long before the food ended, and it was time for the gathering to end. Elena gave everyone some squash to go home with from her garden and Sabina’s herbs were scattered to new kitchens. No one went home empty handed, as the leftovers were redistributed for everyone to have another meal at home.

To taste the memories one more time.

Project: Sweet Bags

Sweet Bags

Created at Aire Faucon’s Largess Night on 6/8/2017

Participants (The Canton of Aire Faucon)
Lady Prudence the Curious (Organizer, donated the fabric and cedar chips, stuffed bags and hand sewed them shut); Lisa Weekly (Host of the A&S Night, dried the rose petals, operated the sewing machine), Rich Weekly (picked the roses), and Richard & Elizabeth Weekly (twin 4-year-olds) – helped pick the roses, turn the bags inside-out for stuffing, and stuffed the bags with cedar chips.

Care and feeding of the sweet bags
The floral bags are stuffed with rose petals. Over time the scent will fade. Adding rose water or rose essence should restore the scent.

The green & white striped bags and the blue bags are stuffed with cedar chips. The scent will fade over time, usually around a decade before completely gone. Afterwards they make great fire starters.

A Bit of History
Sweet Bags are also called sachets, scent bags, smelling cushions, dream pillows, and plague bags.

In use since before 200 BC in China (and everywhere since at least Medieval times), bags of scented woods and herbs have been used to make the world a more pleasant place to live. Throughout SCA period, you would find people wearing some sort of scent bag as an alternate to wearing perfume. And, of course, modern scholars state the bags were used to “scare evil spirits”.

The bags were worn like accessories. The herbs stuffed in them could be dry and fresh. When people started having more than one or two sets of clothing, bags of scents – especially lavender – were stored with the undergarments.

As people got more and more clothing and needed to store winter garments during the summer, cedar became a popular storage method to discourage moths as it affects the young larvae (it will not kill established larvae). The use of scent bags to control pests is more modern simply because historical people did not have a wealth of fabric to protect.

Use of Bags
Rose/Floral Bags – I recommend storing with items you want smelling slightly of roses. I pack them in with my linen and silk embroidery thread. Every time I stitch, the light fragrance enhances the experience. Note the Rose bags will not keep any pests away because everything loves roses, so be sure to put the bags inside a sealed container.

Cedar Bags (green & white / blue) – I put one in with my box of cloth. It gives the fabric a light woody scent. Better yet the fabric doesn’t end up smelling like plastic or mold.

Largess
The bags were packed in groups of two to include in largess baskets given by the Canton. Each participant was allowed to keep one for their own use.

Making of
Take scrap cloth at least as wide as your hand when folded in half. Needs to be thick enough to hold the herb/wood chips inside but thin enough to let the scent through.

Fold in half and sew two of the three sides, then turn inside-out and be sure to poke out the corners. No need to finish the edges.

Stuff the bag, leaving room at the top to sew together. Mash the bag a little to verify the stuffing is enough but not too much.

Sew the top together either by machine or by hand.

Special Note
This works well as a kids’ project if the bags are premade. Young children can turn the bags inside out “just like you do with your socks” and stuff the materials. They will be frustrated with the fabric not staying open and may ask you to hold the bag open for them. Choose a fabric which is not flimsy if working with children. Older children can sew their own bags shut as well.

The children can then take the sweet bag home to “scare the insects away from their SCA clothing” if you use cedar chips.

Cedar chips can be bought at any pet store; one bag will last for decades.

Project: Open Work – Drawn Thread Linen Towels

Drawn Thread Linen Towels

I make a lot of Drawn Thread Linen towels as they make awesome Largess gifts and they are one of the few embroidery objects I make in under 20 hours.

The Hawkwood Largess Linen Towel (2017 May) – Made from linen cloth, hemmed with linen thread, and embroidery done with linen thread (100/3. 80/3. 50/3 and 30/3 widths). The embroidery was started on May 18 and completed May 19 and took 10 hours. The item was given away in the Hawkwood Largess Basket on May 20.

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The Atlantia Largess Linen Towel (2017 May)

Tools and Materials – Linen Fabric (not an even weave); hemmed with Bocken Knyppelgamn’s Linen tread (90/2); Satin stich and drawn work gather stitches worked with Londenderry’s 50-3; The interlace stitch secured with Londenderry 30/3. All linen thread run through beeswax before stitching. No hoops, frames or other tension tools used during the sewing. An embroidery needle (sharp) used for all sewing. Steel pins were used during the hemming stage. Small embroidery scissors used to cut the fabric to draw threads and also during the sewing.

Technique notes: An away knot was used to start the stain stitch and the drawn work gather stitches. Most of the end threads were tucked into the satin stitch lines. Those that were not, are turned into the back along the stitch work. This towel is slightly larger than my normal draw length for thread so I have four threads end during at the “wrong” place.

New stitch: I love the interlace stitch but had been unable to get the double ladder interlace to work with my typical 8-gather. It was just too stiff and twisted the fabric at the edges. This time I only did a 6-gather for the interlace area (8-gather was used for the Hound’s Tooth and the Zig-Zag). This time the interlace did not pull the edges out of alignment. A little extra work, but I got to try something new!

Date worked – The embroidery was started on May 20 and completed May 26.

Final Ownership: Passed on to Mistress Gisela vom Kreuzbach who was coordinating the Pennsic Largess Basket for Atlantia in 2017. Unknown which kingdom received the towel as a gift.

Class: Martial Activities Available in the SCA

I Can Kill You With … (Martial Activities Available in the SCA)

(Taught April 6, 2017 for the Aire Faucon Newcomer A&S Night)
(Taught October 21, 2017 for the War of the Wings newcomer track)

Activities of the SCA
The SCA has three pillars supporting it: Arts, Service, and, the most exciting, Martial activities. As a newcomer you have a lot of different options in learning combat and weaponry in the Society for Creative Anachronism.

 

Martial Activities

Armored Combat/Heavy Weapons Target Archery Black Powder
Light Combat / Rapier Thrown Weapons List Minister
Cut & Thrust Siege Weapons Marshal(s)
Youth Combat Equesterian (Jousting) Weaterbearing
Combat Archery Coursing First Aid / Chirugeon

Armored Combat / Heavy Weapons – Traditional knight fighting. People wear armor, fight with various rattan weapons, and self-score damage. Marshals monitor combat for safety of the participants and audience and do not decide the winner. Fighting is done in single combat, small unit (or team) style, and large maneuvers. Various tournament formats exists including single-elimination, double-elimination, bear pit, and wars.

Light Combat / Rapier – Olympic fencing taken to the streets. Participants wear fencing masks, specialized garb, fight with various fencing swords and parry objects, and self-score damage. Marshal again are safety officers. Fighting is done in single combat or small unit style. Various tournament formats exists including the Spanish Circle, the Slippery Slope, and Barroom. Oh, and since they are late period they allow single shot rubberband guns.

Cut and Thrust – The new kid on the block requires armor but uses the standard of “unarmored” for measuring the effectiveness of blows, because the weapons are real … not sharpened, but real. Everything from side swords to two-handed are brought to the field.

Youth Combat – Armored combat for participants between ages 6 and 17. Marshal do monitor the “scoring” but the participants are the final arbiters. Fighting is done in single combat or small unit style.

Combat Archery – Using specialize arrows and wearing appropriate armor, archers enter the armored combat field for large maneuver activities. Most combat archery, due to the expense of the special combat arrows, is “sniper” type.

Target Archery – Target archery can be done with crossbows, recurve, and long bows. Royal rounds are done at practices and at events and count toward the Archery Ranking system. A royal round is a shoot consisting of “six shafts each shot at 40, 30, and 20 yards, and a 30-second timed round at 20 yards”. A clout shoot occurs at Pennsic and involves getting arrows inside a “castle” at 120 yards. Themed archery competitions occur at many events. (More details can be found at https://scores-sca.org/public/scores_rules.php?R=2&Shoot=2)

Thrown Weapons – Thrown weapons include knife, hand axe, stars, and spears. The Middle Kingdom has a royal round format for ranking.

Siege Weapons – “There are two types of siege devices: active siege engines and passive siege structures.” Active siege engines, including man-powered trebuchets, are designed to deliver small or large ammunition to range of 40 to 80 yards. Siege structures include towers and ramp and are used to support personnel, but not fitted with active weaponry. Ammunition includes “rocks”, 4-tennis ball clusters, combat archery arrows, and ballista javelins. Activity at events including participating in large combat maneuvers and target practices. (SCA siege weapon handbook is here: http://www.sca.org/officers/marshal/docs/siege/siege_engines_handbook.pdf)

Equestrian (Jousting) – Jousting is done with lances at rings ranging in size from six inches down to one inch. Other activities include spear throwing, “stabbing objects on the ground, knocking (fake) heads off posts with a sword, obstacle courses, and archery from horseback.” Pageantry is an essential element of equestrian activities and many people have full barding for their animals.

Coursing – Canine activities including rabbit chasing. This martial activity is rare in Atlantia.

Black Powder – At Pennsic and other large events, you may meet those playing very late period. They do rifle maneuvers and shoot the cannon to announce the beginning and end of battles.

List Minister – An officer position involved in registering fighters and organizing the administrative portion of competitions, especially large single-combat tourneys.

Marshal(s) – The safety officer responsible for inspecting equipment, both armor and weapons; inspecting the field; monitoring the physical and mental state of fighting participants and the observers; organizing fighter practices; training people (if local officer); organizing fighting at events (marshal in-charge, MIC); running authorizations; and turning in the waivers from fighter practices.

Waterbearing – Gentles who bring water out to participants on the fields of battle. Lifesavers!

First Aid / Chirugeon(s) – Gentles who provide first aid in the SCA. This group is a guild.

 

Specialized Vocabulary
Kit – The armor and weapons used for the marshal discipline of choice. Often includes the fighter authorization card and repair kit.

Authorizations – Anyone can attend fighter practices to learn how to fight. To enter tournaments, you must be an authorized fighter. An authorization includes inspecting your kit, a Q&A session on the basic rules of the SCA marshal form, and a series of one-on-one combats showing ability to hit someone, block being hit, taking a blow, and participating in a live exchange. Authorizations include the marshal doing the combat and two observing the activity.

Inspections – Review of weapons and armor for wear-and-tear and meeting the present regulations.

List – Both the list of fighters and the field upon marshal activity is being practiced.

MIC – Marshal in-Charge. The event MIC may oversee several activity MICs. Because of this, all marshals must train in general discipline knowledge as well as their specialization.

Hold – When spoken on the list, fighters are to freeze. Usually something dangerous has occurred and the marshal needs to fix the situation. Examples: Child runs onto the archery range, a tip falling off a rapier blade, a buckle busted from the last hit in heavy causing the armor to swing free.

Clear – Used to let people know active weapons are in play. Most often heard in archery with “Clear down range.”

Lay on – Let the battle begin. Most often used in single combat.

 

The truly dangerous group in the SCA – I can kill you with … the arts
Kitchen Crew, Herbalists, and Gardeners – The Known World Apothecary Facebook Group, the Atlantian Herbal Guild, The Sacred Stone Cook’s Guild, etc.

Other Kingdom Guilds are listed on the Kingdom A&S Minister’s Webpage.

 

Upcoming fighting activities the summer
April 21-23

  1. SAAD – South Atlantia Archery Day – Canton of Crois Brigte in the Barony of Sacred Stone (Booneville, NC)
  2. Queen’s Rapier Championship (Royal Progress) – Isenfir (Weyers Cave, VA)
  3. Kingdom War Practice (Cathage, NC)

April 28-30 – Costal Raids – Armored, Rapier, and Target Archery – Barony of Raven’s Cove (Richalands, NC)

May 5-7 – Spring Crown Tournament – Marinus (Clarksville, VA)

May 19-21 – Hawkwood Baronial Birthday (Royal Progress) – Armored, Rapier, Target Archery, Thrown Weapons

June 16-18 – Return to Crecy IV (Royal Progress) – Armored, Rapier, Youth, Cavalry, Combat Archery, Target Archery, Siege

August 26 – Flight of the Falcon: St. David’s Market Day and Fair – Armored and Rapier

 

Fighter Practices
Canton of Aire Faucon – Does not have a regular martial activity practice of any sort.

Canton of Charlesbury Crossing – Armored combat practice in Freedom Park. Rapier is also welcomed, but often does not have the marshal required to allow the practice to occur.

Barony of Hawkwood – Aire Faucon’s nearest neighbor after Charlesbury Crossing (and depending on your location within the group may be even closer), has various practices.

Barony of Sacred Stone – Archery practices happen further north in some of the other cantons and BSS has a monthly rapier practice as well.